Tenor Morgan Mastrangelo’s performances have been hailed as “Terrific” (The New York Times), “a standout” (Parterre Box), and “eye-catching and ear-popping” (Boston Musical Intelligencer). Morgan recently finished their third year in the Boston Lyric Opera’s emerging artist program, covering leading roles and making their principal debut as Ruodi in Rossini’s Guillaume Tell.

Recent highlights include Lully’s Roland, Opéra Royal Versailles; Madeline X in Michael Gordon’s opera What to wear (PROTOTYPE Festival); Ascanius/First Sailor in Errolyn Wallen’s Dido’s Ghost (Emmanuel Music); Hades in Matt Aucoin’s Eurydice (Opera Grand Rapids, Boston Lyric Opera); and covered the role of Tonio in Boston Lyric Opera’s new translation of The Daughter of the Regiment. 

On the concert stage, Morgan recently sang Bach’s BWV 92 with conductor Harry Bicket, as well as the solo cantata for tenor Ich armer Mensch, ich Sündenknecht, both with Bach Vespers New York. They debuted with Boston Baroque as the tenor soloist in Bach’s Coffee Cantata, BWV 211, and have a long-standing relationship with Boston’s Emmanuel Music in their weekly Bach Cantata series, singing the tenor solos in over 15 cantatas with the group.

Last summer Morgan joined the Santa Fe Opera’s prestigious Apprentice Singers, in scenes from La Cenerentola. This winter, they will sing the tenor solo in Handel’s Messiah at Duke University Chapel and debut the role of Don Ramiro in La Cenerentola with Boston Youth Symphony Orchestras.

Morgan studied at Northwestern University and New England Conservatory, where they were the recipient of the John Moriarty Presidential Scholarship Fund. In 2025, Morgan won prizes in the Concours du chant Baroque Froville, Handel Aria Competition, and American National Oratorio Competition.

Morgan is the founder and director of the period-instrument ensemble Split the Lark.